{"id":1253,"date":"2022-05-21T08:55:59","date_gmt":"2022-05-21T06:55:59","guid":{"rendered":"https:\/\/chyc.atpfrance.com\/?page_id=1253"},"modified":"2022-06-09T10:26:27","modified_gmt":"2022-06-09T08:26:27","slug":"acu","status":"publish","type":"page","link":"https:\/\/chyc.atpfrance.com\/?page_id=1253","title":{"rendered":"Le projet de th\u00e8se"},"content":{"rendered":"

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Le projet de th\u00e8se<\/h1>\n

Sous la direction de Renaud HETIER<\/h3>\n

Le travail de recherche que je m\u00e8ne s\u2019inscrit dans la continuit\u00e9 d\u2019une part, de mes implications socio-\u00e9ducatives au sein de l’association de pr\u00e9vention de rue Resp\u00e9rance<\/a> que j’ai cr\u00e9\u00e9 il y a plus de 20 ans, et d\u2019autre part, de ma pratique artistique du m\u00e9tier de conteur concomitante \u00e0 ma formation initiale dans le champ des Nouvelles Technologies de l\u2019Information et de Communication (NTIC).<\/p>\n

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Qu\u2019est-ce qui a \u00e9veill\u00e9 ma curiosit\u00e9?<\/h2>\n

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Depuis plus de deux d\u00e9cennies, je raconte des histoires dans diff\u00e9rents contextes de m\u00e9diation culturelle<\/b>. Je me suis rendu compte de la pertinence du conte en tant qu’\u00e9l\u00e9ment de m\u00e9diation culturelle dans diff\u00e9rents contextes \u00e9ducatifs. Il permet de saisir et de r\u00e9soudre autrement des probl\u00e9matiques sociales, notamment dans les territoires \u00e9loign\u00e9s tels que les quartiers \u00ab Politique de la Ville \u00bb et les milieux ruraux.<\/p>\n

Plus r\u00e9cemment, mon investissement au sein de la DANE Nancy-Metz<\/a> avec la r\u00e9alisation du kit p\u00e9dagogique de sensibilisation aux bons usages du num\u00e9rique reposant sur le conte d\u00e9nomm\u00e9 Molo-molo sur le Web<\/a>, m\u2019a emmen\u00e9 \u00e0 questionner l’int\u00e9r\u00eat de la m\u00e9diation du conte dans un monde de plus en plus domin\u00e9 par la sur-num\u00e9risation des rapports sociaux.<\/p>\n

Ce dispositif pratique d’usage du conte en tant qu’objet transitionnel permettant de sensibiliser aux bons comportements dans le num\u00e9rique, a \u00e9veill\u00e9 ma curiosit\u00e9 de trois mani\u00e8res que je vais d’ores et d\u00e9j\u00e0 vous pr\u00e9senter.\u00a0<\/span><\/p>\n

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Intervention de conte du 18 mai 2022 dans le QPV de la Californie \u00e0 Jarville-La-malgrange, \u00e0 l’occasion de la manifestation \u00ab\u00a0\u00e0 fleur de quartier\u00a0\u00bb, un projet de m\u00e9diation culturel autour de la sensibilisation au d\u00e9veloppement durable en partenariat avec le bailleur social Mmh<\/a>.<\/em><\/p>\n

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Chaque fois que je prononce \u201cil \u00e9tait une fois\u201d je per\u00e7ois qu’une magie op\u00e8re subrepticement aupr\u00e8s de mon auditoire et cela, ind\u00e9pendamment de mes qualit\u00e9s intrins\u00e8ques de narrateur. J\u2019ai l’intuition<\/strong> que le conte dispose d’une capacit\u00e9 propre \u00e0 convoquer une certaine attention sensible, en d\u00e9pit des sollicitations abondantes et concurrentes du num\u00e9rique<\/u>.<\/p>\n

Dans le cadre de ce projet de recherche, j’aimerai v\u00e9rifier cette hypoth\u00e8se.\u00a0<\/p>\n

[\/et_pb_text][et_pb_counters bar_bg_color=\u00a0\u00bb#000000″ _builder_version=\u00a0\u00bb4.16″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bb|700|||||||\u00a0\u00bb border_color_top=\u00a0\u00bb#000000″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_counter percent=\u00a0\u00bb20″ bar_background_color=\u00a0\u00bb#E09900″ _builder_version=\u00a0\u00bb4.16″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_text_color=\u00a0\u00bb#000000″ title_font_size=\u00a0\u00bb18px\u00a0\u00bb percent_text_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb percent_font_size=\u00a0\u00bb18px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb bar_background_color_default=\u00a0\u00bb#000000″ use_percentages=\u00a0\u00bbon\u00a0\u00bb]Une m\u00e9diation[\/et_pb_counter][\/et_pb_counters][et_pb_text _builder_version=\u00a0\u00bb4.17.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font_size=\u00a0\u00bb16px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

J’ai observ\u00e9 en contexte d’attention d\u00e9grad\u00e9e, que le conte pouvait favoriser l’\u00e9mergence d’espaces d’\u00e9coute collectif, propice \u00e0 la transmission et \u00e0 l’acceptation de valeurs et de nouveaux comportements dans le num\u00e9rique, au sein de groupes d’individus pourtant tr\u00e8s diversifi\u00e9s par leurs origines culturelles et sociales.<\/p>\n

Je souhaite mieux comprendre les principes et les m\u00e9canismes narratifs de cette forme de m\u00e9diation<\/strong> pour le digital, qui s’appuie notamment, sur le rituel de la parole et la liturgie du geste<\/u>.\u00a0<\/p>\n

[\/et_pb_text][et_pb_counters bar_bg_color=\u00a0\u00bb#000000″ _builder_version=\u00a0\u00bb4.16″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bb|700|||||||\u00a0\u00bb border_color_top=\u00a0\u00bb#000000″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_counter percent=\u00a0\u00bb30″ bar_background_color=\u00a0\u00bb#0C71C3″ _builder_version=\u00a0\u00bb4.16″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_text_color=\u00a0\u00bb#000000″ title_font_size=\u00a0\u00bb18px\u00a0\u00bb percent_text_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb percent_font_size=\u00a0\u00bb18px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb bar_background_color_default=\u00a0\u00bb#000000″ use_percentages=\u00a0\u00bbon\u00a0\u00bb]Une impression[\/et_pb_counter][\/et_pb_counters][et_pb_text _builder_version=\u00a0\u00bb4.16″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font_size=\u00a0\u00bb16px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

En cette \u00e9poque o\u00f9 tout semble se volatiliser dans la course continue du temps, le conte contribue gr\u00e2ce \u00e0 l’imaginaire qu’il d\u00e9ploie, \u00e0 nous rendre indisponibles aux tensions du r\u00e9el.<\/em><\/p>\n

C’est mon t\u00e9moignage personnel d’une longue exp\u00e9rience de contage dans diff\u00e9rents contextes de m\u00e9diation, que je souhaite simplement soumettre ici \u00e0 l’analyse universitaire.<\/p>\n

Je veux en effet, rendre compte du conte en tant qu’exp\u00e9rience m\u00e9taphysique qui au paroxysme de sa pratique, produit un ph\u00e9nom\u00e8ne que je peux d\u00e9crire comme une impression<\/strong> de d\u00e9connexion avec le temps et l’espace<\/u>. C’est le fameux lieu du \u00ab\u00a0il \u00e9tait une fois, aux confins d’un univers sans fins<\/em>\u00ab\u00a0, un espace du monde indisponible aux tentations ali\u00e9nantes de l’hypermodernit\u00e9.<\/p>\n

Quand on s’y trouve, on s’y sent bien, en parfaite harmonie avec son auditoire : en pleine capacit\u00e9 de le rendre enfin sensible \u00e0 l’essentiel d’une \u00ab\u00a0vie bonne\u00a0\u00bb, de ce que le philosophe allemand Hartmut Rosa qualifie de \u00a0\u00ab relations au monde r\u00e9ussies \u00bb .\u00a0<\/p>\n

C’est un volet plus \u00e9th\u00e9r\u00e9 de mon travail de th\u00e8se que j’envisage comme une discussion philosophique entre les th\u00e9oriciens des nouvelles modernit\u00e9s et les adeptes de l’intemporelle narrativit\u00e9.<\/p>\n

 <\/p>\n

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CE QUI A \u00c9VEILL\u00c9<\/h3>\n

MON ATTENTION<\/h3>\n

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La curiosit\u00e9 satisfaite, mon attention s’est orient\u00e9e vers une meilleur connaissance du m\u00e9dia conte en tant que vecteur de \u00ab\u00a0savoir \u00eatre<\/em>\u00ab\u00a0, de \u00ab savoir-faire<\/em>\u00a0\u00bb\u00a0 et de \u00ab\u00a0m\u00e9ta savoir\u00a0\u00bb en contexte de saturation m\u00e9diatique (hypermodernit\u00e9).<\/p>\n

Je vous partage sans aucun lien de hi\u00e9rarchie, les principaux \u00e9l\u00e9ments qui me sont parus suffisamment notoires pour les distinguer :<\/p>\n

– Le conte est un outil appr\u00e9ci\u00e9 par les enseignants de 1er degr\u00e9 et les m\u00e9diateurs sociaux pour l’\u00e9ducation morale et la citoyennet\u00e9 num\u00e9rique ;<\/p>\n

– L’industrie des nouveaux m\u00e9dia (jeu-vid\u00e9o, VOD, cha\u00eene YouTube, etc.) utilise les principes narratifs du conte pour engager leur public. Le succ\u00e8s de ces productions d\u00e9pend d’ailleurs de la qualit\u00e9 narrative des histoires qu’elles mettent en exergue ;<\/p>\n

– Raconter, se raconter sur les r\u00e9seaux sociaux et les plateformes num\u00e9riques, constitue une pratique sociale mondialis\u00e9e qui suscite de plus en plus de questions et d’int\u00e9r\u00eat dans nombreux domaines de la recherche.<\/p>\n

Ces pr\u00e9mices d’observations se sont \u00e9parpill\u00e9es dans une myriade de questions qui jalonnent mon cheminement de recherche.<\/p>\n

 <\/p>\n

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Le conte
a t-il une utilit\u00e9 sociale dans les soci\u00e9t\u00e9s modernes?<\/h2>\n

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LE NUAGE DE QUESTIONS QUI ME TRAVERSE<\/h3>\n

[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.17.4″ text_font=\u00a0\u00bb||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb16px\u00a0\u00bb text_line_height=\u00a0\u00bb2em\u00a0\u00bb header_font=\u00a0\u00bb||||||||\u00a0\u00bb header_3_font=\u00a0\u00bbUbuntu||||||||\u00a0\u00bb header_3_font_size=\u00a0\u00bb36px\u00a0\u00bb header_3_line_height=\u00a0\u00bb1.4em\u00a0\u00bb custom_margin=\u00a0\u00bb|||\u00a0\u00bb custom_margin_tablet=\u00a0\u00bb||60px|\u00a0\u00bb custom_margin_phone=\u00a0\u00bb\u00a0\u00bb custom_margin_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb text_font_size_phone=\u00a0\u00bb14px\u00a0\u00bb text_font_size_last_edited=\u00a0\u00bboff|desktop\u00a0\u00bb header_3_font_size_tablet=\u00a0\u00bb\u00a0\u00bb header_3_font_size_phone=\u00a0\u00bb24px\u00a0\u00bb header_3_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Toutes ces interrogations, sans constituer \u00e0 elles seules des th\u00e8mes d\u00e9finitifs, d\u00e9terminent n\u00e9anmoins \u00e0 mesure qu\u2019elles s\u2019\u00e9gr\u00e8nent, une trajectoire qui m\u2019a conduit d\u2019une na\u00efve curiosit\u00e9 de conteur, au sursaut fructueux d\u2019un ultime questionnement de chercheur : Quelle est l\u2019int\u00e9r\u00eat du conte pour la transmission de valeurs et de \u00ab bons usages<\/em>\u00a0\u00bb dans les soci\u00e9t\u00e9s ultra-modernes domin\u00e9es par le num\u00e9rique ?<\/p>\n

Voici list\u00e9es toutes les r\u00e9flexions qui se sont s\u00e9diment\u00e9es \u00e0 force de raison et d’intuition dans mon esprit, pour former le socle de ma principale question de recherche :<\/p>\n

[\/et_pb_text][et_pb_button button_text=\u00a0\u00bbLe conte est-il le rem\u00e8de naturel \u00e0 la saturation digitale?\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ custom_button=\u00a0\u00bbon\u00a0\u00bb button_text_size=\u00a0\u00bb16px\u00a0\u00bb button_bg_color=\u00a0\u00bb#bb7860″ button_border_color=\u00a0\u00bbrgba(0,0,0,0)\u00a0\u00bb button_border_radius=\u00a0\u00bb0px\u00a0\u00bb button_letter_spacing=\u00a0\u00bb2px\u00a0\u00bb button_font=\u00a0\u00bb||||||||\u00a0\u00bb button_icon=\u00a0\u00bb$||divi||400″ background_layout=\u00a0\u00bbdark\u00a0\u00bb custom_margin=\u00a0\u00bb|||\u00a0\u00bb custom_padding=\u00a0\u00bb15px|50px|15px|50px|true|true\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb button_text_size__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_one_text_size__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_two_text_size__hover_enabled=\u00a0\u00bboff\u00a0\u00bb 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button_letter_spacing__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_one_letter_spacing__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_two_letter_spacing__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_bg_color__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_one_bg_color__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_two_bg_color__hover_enabled=\u00a0\u00bboff\u00a0\u00bb][\/et_pb_button][et_pb_button button_text=\u00a0\u00bbPr\u00e9parer \u00e0 voir le monde (moderne) par le prisme des contes, est-ce utile?\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ custom_button=\u00a0\u00bbon\u00a0\u00bb button_text_size=\u00a0\u00bb16px\u00a0\u00bb button_bg_color=\u00a0\u00bb#bb7860″ button_border_color=\u00a0\u00bbrgba(0,0,0,0)\u00a0\u00bb button_border_radius=\u00a0\u00bb0px\u00a0\u00bb button_letter_spacing=\u00a0\u00bb2px\u00a0\u00bb button_font=\u00a0\u00bb||||||||\u00a0\u00bb button_icon=\u00a0\u00bb$||divi||400″ background_layout=\u00a0\u00bbdark\u00a0\u00bb custom_margin=\u00a0\u00bb|||\u00a0\u00bb custom_padding=\u00a0\u00bb15px|50px|15px|50px|true|true\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb button_text_size__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_one_text_size__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_two_text_size__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_text_color__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_one_text_color__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_two_text_color__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_border_width__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_one_border_width__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_two_border_width__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_border_color__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_one_border_color__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_two_border_color__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_border_radius__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_one_border_radius__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_two_border_radius__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_letter_spacing__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_one_letter_spacing__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_two_letter_spacing__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_bg_color__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_one_bg_color__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_two_bg_color__hover_enabled=\u00a0\u00bboff\u00a0\u00bb][\/et_pb_button][et_pb_button button_text=\u00a0\u00bbLe merveilleux du conte peut-il r\u00e9enchanter la modernit\u00e9 ?\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ custom_button=\u00a0\u00bbon\u00a0\u00bb button_text_size=\u00a0\u00bb16px\u00a0\u00bb button_bg_color=\u00a0\u00bb#bb7860″ button_border_color=\u00a0\u00bbrgba(0,0,0,0)\u00a0\u00bb button_border_radius=\u00a0\u00bb0px\u00a0\u00bb button_letter_spacing=\u00a0\u00bb2px\u00a0\u00bb button_font=\u00a0\u00bb||||||||\u00a0\u00bb button_icon=\u00a0\u00bb$||divi||400″ background_layout=\u00a0\u00bbdark\u00a0\u00bb custom_margin=\u00a0\u00bb|||\u00a0\u00bb custom_padding=\u00a0\u00bb15px|50px|15px|50px|true|true\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb button_text_size__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_one_text_size__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_two_text_size__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_text_color__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_one_text_color__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_two_text_color__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_border_width__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_one_border_width__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_two_border_width__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_border_color__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_one_border_color__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_two_border_color__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_border_radius__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_one_border_radius__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_two_border_radius__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_letter_spacing__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_one_letter_spacing__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_two_letter_spacing__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_bg_color__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_one_bg_color__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_two_bg_color__hover_enabled=\u00a0\u00bboff\u00a0\u00bb][\/et_pb_button][et_pb_button button_text=\u00a0\u00bbQuel sont les usages modernes du conte dans l\u2019\u00e9cole du num\u00e9rique?\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ custom_button=\u00a0\u00bbon\u00a0\u00bb button_text_size=\u00a0\u00bb16px\u00a0\u00bb button_bg_color=\u00a0\u00bb#bb7860″ button_border_color=\u00a0\u00bbrgba(0,0,0,0)\u00a0\u00bb button_border_radius=\u00a0\u00bb0px\u00a0\u00bb button_letter_spacing=\u00a0\u00bb2px\u00a0\u00bb button_font=\u00a0\u00bb||||||||\u00a0\u00bb button_icon=\u00a0\u00bb$||divi||400″ background_layout=\u00a0\u00bbdark\u00a0\u00bb custom_margin=\u00a0\u00bb|||\u00a0\u00bb custom_padding=\u00a0\u00bb15px|50px|15px|50px|true|true\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb button_text_size__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_one_text_size__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_two_text_size__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_text_color__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_one_text_color__hover_enabled=\u00a0\u00bboff\u00a0\u00bb button_two_text_color__hover_enabled=\u00a0\u00bboff\u00a0\u00bb 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button_two_bg_color__hover_enabled=\u00a0\u00bboff\u00a0\u00bb][\/et_pb_button][\/et_pb_column][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ make_equal=\u00a0\u00bbon\u00a0\u00bb specialty=\u00a0\u00bbon\u00a0\u00bb background_color_1=\u00a0\u00bb#393e56″ background_color_2=\u00a0\u00bb#ffffff\u00a0\u00bb padding_top_1=\u00a0\u00bb60px\u00a0\u00bb padding_top_2=\u00a0\u00bb120px\u00a0\u00bb padding_right_2=\u00a0\u00bb40px\u00a0\u00bb padding_left_1=\u00a0\u00bb30px\u00a0\u00bb padding_left_2=\u00a0\u00bb40px\u00a0\u00bb padding_top_bottom_link_1=\u00a0\u00bbfalse\u00a0\u00bb padding_left_right_link_1=\u00a0\u00bbfalse\u00a0\u00bb padding_left_right_link_2=\u00a0\u00bbtrue\u00a0\u00bb padding_2_tablet=\u00a0\u00bb0px|||\u00a0\u00bb padding_2_phone=\u00a0\u00bb40px|10px|40px|10px||true\u00a0\u00bb padding_2_last_edited=\u00a0\u00bbon|tablet\u00a0\u00bb admin_label=\u00a0\u00bbFeature\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ background_size=\u00a0\u00bbinitial\u00a0\u00bb 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La question principale de recherche<\/h2>\n

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Quelle est la valeur du conte en situation d\u2019hypermodernit\u00e9?<\/h3>\n

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De ce magma r\u00e9flexif a \u00e9merg\u00e9 cette magistrale question qui s\u2019est impos\u00e9e \u00e0 moi en rejoignant l\u2019int\u00e9r\u00eat du LISEC<\/a> <\/strong>et celui de mon directeur de th\u00e8se Renaud HETIER<\/strong><\/a>.<\/p>\n

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Le probl\u00e8me<\/h2>\n

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Quel est le probl\u00e8me auquel ma th\u00e8se veut apporter des solutions?<\/h3>\n

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\u00ab\u00a0Tout devient toujours plus rapide \u00bb, telle est la marque des soci\u00e9t\u00e9s modernes. Notre monde, sous l\u2019effet d\u2019une contrainte d\u00e9nomm\u00e9e par Hartmut ROSA \u00ab\u00a0acc\u00e9l\u00e9ration<\/strong>\u00a0\u00bb est d\u00e9r\u00e9gl\u00e9. Nous vivons \u00e0 l\u2019heure de l\u2019empressement ali\u00e9nant o\u00f9 les ressources qui sont cens\u00e9s constituer notre bonheur deviennent quantitatives tandis que notre relation au monde demeure qualitative. Cette dichotomie nous fait dire que nous ne ressentons plus le monde. Plut\u00f4t, nous le subissons !<\/p>\n

\u2013 Dans ce contexte de fracture temporelle quasi g\u00e9n\u00e9rationnelle, entre ceux qui ressentent encore le monde et ceux qui l\u2019encapsulent dans une permanente disponibilit\u00e9, comment envisager une aire de relation permettant le partage apais\u00e9 de valeurs communes acceptables ?<\/strong><\/p>\n

\u2013 Quel objet de m\u00e9diation permettrait de rem\u00e9dier \u00e0 l\u2019anesth\u00e9sie mondialis\u00e9e d\u2019une partie de la population qui ne ressent plus le monde en raison d\u2019une trop forte digitalisation des rapports sociaux ?<\/strong><\/p>\n

\u2013 Quelle forme d\u2019\u00e9ducation morale et citoyenne permettrait de r\u00e9activer notre attention au monde ?<\/strong><\/p>\n

C\u2019est \u00e0 tous ces probl\u00e8mes que notre th\u00e8se souhaite apporter des solutions.<\/p>\n

Mais nous savons que nos relations au monde se forment essentiellement \u00e0 l\u2019\u00e9cole, qui constitue de ce fait, l\u2019espace de m\u00e9diation fondamentale par excellence. C\u2019est ce qu\u2019exprime Hartmut Rosa quand il affirme que : \u00ab\u00a0C\u2019est en particulier \u00e0 la pubert\u00e9, phase d\u00e9cisive au cours de laquelle les axes de r\u00e9sonance de l\u2019enfance font silence, quand l\u2019adolescent se rend \u00e9tranger \u00e0 ses parents, aux enseignants, aux habitudes h\u00e9rit\u00e9es et \u00e0 son propre corps, avant d\u2019assimiler activement de nouveaux fragments de monde, que le contexte scolaire devient constitutif de la formation ou du blocage d\u2019axes de r\u00e9sonance \u00e0 la fois horizontaux, diagonaux et verticaux. C\u2019est dans et autour de la salle de classe que se d\u00e9cide quelles sensibilit\u00e9s ou insensibilit\u00e9s \u00e0 la r\u00e9sonance l\u2019adolescent d\u00e9veloppera, et de quel r\u00e9pertoire de r\u00e9sonance il disposera dans son rapport aux objets mat\u00e9riels, aux orientations de pens\u00e9e et aux \u00eatres vivants qui l\u2019entourent\u00a0<\/em>\u00bb. (p. 273)<\/p>\n

En somme, nous souhaitons proposer dans ce travail de recherche, la solution de la m\u00e9diation du conte comme processus de r\u00e9activation de l\u2019attention des \u00e9l\u00e8ves, en particulier, quand ils sont plong\u00e9s dans ce num\u00e9rique ali\u00e9nant. Nous pensons cependant, que c\u2019est un processus qui d\u00e9bute juste avant adolescence, au moment o\u00f9 les nerfs imaginatifs des \u00e9l\u00e8ves (enfants) sont encore sensibles au merveilleux, et o\u00f9 ils assument collectivement de se laisser porter par le contage, sans se soucier du regard des autres.<\/strong><\/p>\n

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Les concepts<\/h2>\n

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LA R\u00c9SONANCE<\/b><\/h3>\n

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\u201cSi l\u2019acc\u00e9l\u00e9ration constitue le probl\u00e8me central de notre temps, la r\u00e9sonance peut \u00eatre la solution\u201d
\u2014\u00a0Hartmut ROSA<\/p>\n

\u00a0D\u00e9finition scientifique<\/strong><\/p>\n

La r\u00e9sonance est un ph\u00e9nom\u00e8ne<\/strong> selon lequel certains syst\u00e8mes physiques (\u00e9lectriques, m\u00e9caniques…) sont sensibles<\/strong> \u00e0 certaines fr\u00e9quences<\/strong>. Un syst\u00e8me r\u00e9sonant peut accumuler une \u00e9nergie<\/strong>, si celle-ci est appliqu\u00e9e sous forme p\u00e9riodique, et proche d’une fr\u00e9quence dite \u00ab fr\u00e9quence de r\u00e9sonance<\/strong> \u00bb. Soumis \u00e0 une telle excitation, le syst\u00e8me va \u00eatre le si\u00e8ge d’oscillations de plus en plus importantes, jusqu’\u00e0 atteindre un r\u00e9gime d’\u00e9quilibre <\/strong>qui d\u00e9pend des \u00e9l\u00e9ments dissipatifs du syst\u00e8me, ou bien jusqu’\u00e0 une rupture d’un composant du syst\u00e8me.
Les domaines o\u00f9 la r\u00e9sonance intervient sont innombrables : balan\u00e7oire enfantine, mais aussi r\u00e9sonances acoustiques de la voix parl\u00e9e ou chant\u00e9e et des instruments de musique.
Source: Wikip\u00e9dia<\/a><\/p>\n

Appropriation sociologique<\/strong><\/p>\n

C\u2019est l\u2019exp\u00e9rience d\u2019une vibration<\/strong>, de la vibration de la corde qui nous relie au monde. Chacun sent bien si sa corde r\u00e9sonne ou pas, et avec quelle intensit\u00e9<\/strong> : si son travail est source de plaisir ou triste contrainte ; s\u2019il aime les siens ou se sent \u00e9tranger parmi eux; si la vie sociale l\u2019accomplit ou le d\u00e9nature. C\u2019est une question de relation au monde<\/strong>, de la mani\u00e8re dont nous l\u2019appr\u00e9hendons et dont il nous affecte. Il y a des relations au monde r\u00e9ussies, et des relations non r\u00e9ussies ; des relations qui r\u00e9sonnent, ou pas<\/strong>.
Source: Le Temps<\/a><\/p>\n

\u00ab Le rapport fondamental au monde se manifeste dans la question de savoir si nous nous sentons port\u00e9s ou jet\u00e9s dans le monde, si nous l\u2019\u00e9prouvons comme responsif ou r\u00e9pulsif, attrayant ou dangereux.\u00bb<\/p>\n

\u2014Hartmut Rosa<\/p>\n

 <\/p>\n

 <\/p>\n

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LE CONTAGE<\/b><\/h3>\n

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\u201cLe conte\u00a0provoque l\u2019attention, est g\u00e9n\u00e8re une vie \u00e9motionnelle et symbolique\u201d.
\u2014\u00a0Renaud HETIER<\/p>\n

\u00a0Le contage permet de cr\u00e9er un espace \u00e9ducatif au sein de l’\u00e9cole et de la famille permettant \u00e0 l’enfant de penser et d’affronter les conflits int\u00e9rieurs et de g\u00e9rer ses relations \u00e0 autrui.<\/p>\n

Sources | Comment penser le conflit
<\/i>– Renaud H\u00e9tier<\/b><\/p>\n

Cr\u00e9er un espace \u00e9ducatif avec les contes merveilleux : comment penser le conflit<\/b><\/p>\n

Renaud <\/a><\/b>Hetier<\/a><\/b><\/p>\n

Chronique sociale<\/a> | novembre 2017<\/p>\n

https:\/\/www.laprocure.com\/product\/ean\/9782367174204\/hetier-renaud-creer-un-espace-educatif-avec-les-contes-merveilleux-comment-penser-le-conflit<\/a><\/p>\n

\u00a0Sensible<\/b><\/p>\n

Le conte permet de se rendre disponible <\/b>au monde sensible des personnages de l\u2019histoire.<\/p>\n

Espace<\/b><\/p>\n

L’oralit\u00e9 permet de rassembler les auditeurs dans un espace d\u2019\u00e9coute commun.<\/p>\n

Intrigue<\/b><\/p>\n

Le conte met en sc\u00e8ne de nombreuses tensions et permet l\u2019exp\u00e9rience du retour \u00e0 l\u2019harmonie.<\/p>\n

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Les hypoth\u00e8ses de recherche<\/h2>\n

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HYPOTH\u00c8SE 1<\/h3>\n

Cultiver l’attention et le care en \u00e9ducation \u2013 R.H\u00e9tier<\/h3>\n

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Le conte permet en tout temps et en tout lieu de retrouver la sensibilit\u00e9 au monde.<\/p>\n

Le contage \u00e0 l\u2019\u00e9cole rend attentif \u00e0 la nature, \u00e0 soi-m\u00eame et aux autres.<\/p>\n

L’attention \u00e0 l’autre<\/b><\/p>\n

L\u2019\u00e9cole pour diffuser la philosophie de l’attention dans le num\u00e9rique.<\/p>\n

L\u2019attention \u00e0 soi<\/b><\/p>\n

Redonner une pleine conscience de soi ind\u00e9pendamment des r\u00e9seaux sociaux num\u00e9riques.<\/p>\n

Prendre soin<\/b><\/p>\n

De la r\u00e9ception d\u2019un savoir de l\u2019attention \u00e0 la mise en action en situation d\u2019hypermodernit\u00e9.<\/p>\n

Former l\u2019attention : un cadre, un objet.<\/b><\/p>\n

Retour d’exp\u00e9rience du conteur sur ses techniques de captation de l\u2019attention (non-psychique mais artistique)<\/p>\n

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HYPOTH\u00c8SE 2<\/h3>\n

Le ma\u00eetre diapason<\/h3>\n

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L\u2019exp\u00e9rience engag\u00e9e du conte (contage) permet de faire vibrer une corde int\u00e9rieure, en r\u00e9tablissant une relation harmonieuse (r\u00e9sonance) structurante.<\/p>\n

Inspiration<\/strong><\/p>\n

\u00c9volution de la fonction du professeur du r\u00f4le de r\u00e9gulateur \u00e0 celle de raconteur et fertiliseur des imaginaires.<\/p>\n

Impulsion<\/strong><\/p>\n

\u00c9volution de la fonction du professeur par la pratique du conte du r\u00f4le de m\u00e9diateur professionnel \u00e0 celui d\u2019initiateur au monde merveilleux r\u00e9sonnant.\u00a0<\/p>\n

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HYPOTH\u00c8SE 3<\/h3>\n

Transmission de la r\u00e9sonance par le conte <\/h3>\n

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L\u2019abrogation de l\u2019espace et la contraction du temps dans l\u2019hypermodernit\u00e9, brouillent les rep\u00e8res. La \u201cnarrativit\u00e9\u201d propose une r\u00e9appropriation de son rapport au monde.<\/p>\n

L’Education morale aux prises avec les contes \u2013 R. H\u00e9tier<\/p>\n

Contribution des contes merveilleux \u00e0 l’\u00e9ducation des enfants de 8 \u00e0 12 ans\u2013 R. H\u00e9tier<\/p>\n

 <\/p>\n

 <\/p>\n

<\/b><\/p>\n

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Qu’est-ce que je vais mettre en place pour y rem\u00e9dier?<\/h2>\n

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Dispositif exp\u00e9rimental<\/h3>\n

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\u00a0Le contexte<\/strong><\/p>\n

Lanc\u00e9e en 2020 par le secr\u00e9tariat g\u00e9n\u00e9ral pour l’Investissement (SGPI) et le minist\u00e8re de l\u2019\u00c9ducation nationale, et mis en \u0153uvre par la Banque des Territoires avec les collectivit\u00e9s partenaires, et en association avec le R\u00e9seau Canop\u00e9 et le GIP Trousse \u00e0 Projets, le dispositif TNE<\/a> doit permettre de tester, \u00e0 grande \u00e9chelle, la mise en \u0153uvre de la continuit\u00e9 p\u00e9dagogique, dont la n\u00e9cessit\u00e9 a \u00e9t\u00e9 r\u00e9v\u00e9l\u00e9e par la crise sanitaire, et de r\u00e9duire la fracture num\u00e9rique.<\/p>\n

Dans les Vosges, la D\u00e9l\u00e9gation au num\u00e9rique \u00e9ducatif du rectorat de l’acad\u00e9mie Nancy-Metz, au c\u00f4t\u00e9 de la DSDEN des Vosges, de l\u2019Atelier Canop\u00e9 88 – \u00c9pinal et de la direction territoriale Grand Est de R\u00e9seau Canop\u00e9 va mettre en \u0153uvre de dispositif TNE en concertation l\u2019\u00e9quipement des \u00e9coles et \u00e9tablissements et la formation des enseignants.<\/p>\n

Pourquoi le territoire des Vosges ?\u00a0<\/strong><\/p>\n

Terre contrast\u00e9e entre plaines et montagnes, plurielle par son tissu socio-\u00e9conomique, le d\u00e9partement des Vosges a \u00e9t\u00e9 choisi pour r\u00e9pondre aux sp\u00e9cificit\u00e9s de ce territoire en mati\u00e8re de valorisation, d\u2019insertion professionnelle, de mobilit\u00e9 et de communication.<\/p>\n

60 000 \u00e9l\u00e8ves et 4 800 professeurs du primaire ou de secondaire dans 417 \u00e9tablissements scolaires et \u00e9coles, publics dont agricoles, et priv\u00e9s sous contrat :<\/p>\n